Hebrews.2

A Viola duet beginning with a motivic introduction followed by part one presenting a modified melody with part two using a moving countermelody. The next phrase the roles are reversed. Next a modulation

A traditional early American hymn scored for a medium-advanced instrumental soloist. A good choice for communion and other special moments during a worship service.

An unaccompanied duet for viola and cello the introduction is a simple motif. The first verse is straight forward alternating between the two parts with active rhythmic counter lines. As the piece

This string quartet, with optional piano, is a rollicking rendition of this old carol. The melodic material is passed around amongst all the parts to give color and interest. As well, the punctuations of

A Rich Heffler Music arrangement. The piece is in irregular meters throughout. The work is in a continual jovial manner and is a excellent work for the more mature player.

Presented in a pastoral setting, the melodic material in these solos is not modified to a large degree, allowing for a solemn and reflective setting to let the message of the hymn come through. A good

Traditional setting, slightly contemporary- begins with piano in a motif of the theme. The first section is a stylized rendition of the theme. Then, it continues in the chorus much the same.  A

A Viola solo stating the melody in a straight forward fashion with an accompaniment that is gentle and constantly moving. The second section presents the thematic material in the piano with a motivic

This solo begins with a easy lilt underpinned by a gentle accompaniment. Moving into the second section of the piece the tune is embellished in a variation format of chromatic triplets. It repeats

A collection for viola and piano including arrangements on Once In Royal David's City, Of The Father's Love Begotten, and Away In A Manger. These solos offer the player a chance for some

A collection for viola and piano including arrangements on Infant Holy, Infant Lowly, O Hearken Ye, and Silent Night, Holy Night. A set of solos that range from vigorous to solemn. With

This viola solo begins with a simply stated introduction in the piano with the solo line presented verbatim, the original  tune. The middle section melody is in the piano with the soloist giving a

A Rich Heffler arrangement. This violin solo starts out with a great deal of flourish based on Come Ye Thankful People, Come and then settles down for a solemn rendition of We Gather

This sacred set of solos is presented in a reverent setting for Lent and Holy Week services. The soloist is provided the opportunity for musical expression with a fluid cadenza before the